Reviews Ain't Them Bodies Saints Movie and Watch Full HD Format

Set against the backdrop of 1970's Texas Hill Country, AIN'T THEM BODIES SAINTS is a romantic American story that follows three characters on various sides of the law - outlaw Bob Muldoon (Casey Affleck), his wife Ruth Guthrie (Rooney Mara), and a local sheriff named Patrick Wheeler (Ben Foster), who gets caught in their crosshairs. The film, which is the second feature from writer-director David Lowery, was developed at the Sundance Institute's Writing and Producing Labs and also stars Nate Parker and Keith Carradine. The film received the U.S. Dramatic Cinematography Award at the 2013 Sundance Film Festival. (c) IFC
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Movie Title : Ain't Them Bodies Saints
Genre Movie :Drama
Mpaa Rating : R
Release Date : Aug 16, 2013 Limited

Actors :Rooney Mara,Ben Foster,Keith Carradine,Kennadie Smith,Jacklynn Smith,Nate Parker,Robert Longstreet,Charles Baker,Augustine Frizzell,Kentucker Audley,David Zellner,Turner Ross,Rami Malek,Will Beinbrink,Frank Mosley,Steve Corner,Annalee Jefferies,Gwen Waymon,Artist Thornton,Richard Jackson

Visitor Ranting & Critics For Ain't Them Bodies Saints

All Critics Ranting For Ain't Them Bodies Saints : 7.1

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Review For Ain't Them Bodies Saints

A slow, banjo-string-tight thriller ... Bodies gets under your skin and stays there.
Cath Clarke-Time Out

This Sundance-sanctioned, love-on-the-run melodrama is indie filmmaking of a deliberately timeless sort.
Joe Williams-St. Louis Post-Dispatch

Writer-director David Lowery strains for poetry at every turn, and only the strain registers.
Ben Sachs-Chicago Reader

Lowery has a lyrical style of storytelling that is delicate and subtle yet suffused with emotion and atmosphere. It's gentle and pointed at the same time.
Rene Rodriguez-Miami Herald

It is not a large film. But Lowery may well be a large talent, and he sure knows how to cast the right actors.
Michael Phillips-Chicago Tribune

Lowery has a way with actors, though. As a local sheriff with an eye for Ruth, Ben Foster is excellent and, in a too-small role as a grizzled shopkeeper, Keith Carradine proves himself yet again to be one of our finest performers.
Peter Rainer-Christian Science Monitor

A Bonnie & Clyde-informed tale of passion amid the criminal class, it's a film of considerable visual beauty, even lyricism.
Mike Scott-Times-Picayune

Even during its moments of unapologetic pastiche, David Lowery's Ain't Them Bodies Saints is an absorbing drama, nuanced and emotionally evocative.
John Serba-MLive.com

The film has a dreamlike tone that's very, very sleepy. But it's also haunting and darkly moving.
Rich Cline-Shadows on the Wall

Not perfect and its dense quality isn't for everyone, but for the things it does right, and the performances it elicits, it's still special.
Ken Hanke-Mountain Xpress (Asheville, NC)

An outlaw saga of undying love distilled to its emotional essence, as if it were something to be inhaled or applied to the skin, to work at the level of the blood and bypass the cynical defenses of the intellect...
John Beifuss-Commercial Appeal (Memphis, TN)

The astute use of folk and bluegrass defines the palette of this film as much as the acting or the cinematography.
Mark Kermode-Observer [UK]

Beautifully presented and skillfully acted, "Ain't Them Bodies Saints" is a small, solid drama featuring strong performances and picture post card photography
Michael A. Smith-MediaMikes

If you're in the mood to pay homage to the 'new wave' of directors of the 1970s, instead of sitting through the latest in a long line of superhero movie sequels, this should be richly rewarding.
Graham Young-Birmingham Mail

Lowery falls back on a number of clichés in his indie romance-cum-Western, drowning the actors in melancholy sunshine and letting them mumble like mad. What he gets right are the characters.
Charlotte O'Sullivan-This is London

Lowery focuses on melancholy moods, inner turmoil and the golden glow of cornfields to create an earnest, leisurely tale of lost souls and last chances.
Allan Hunter-Daily Express

David Lowery's Sundance hit, which wears its Badlands rags unashamedly, plays as if dragged up from the muddy depths of folk memory.
Tara Brady-Irish Times

If it is a homage, this is an intelligent and accomplished one, a conscientious matching-up of style and substance.
Peter Bradshaw-Guardian [UK]

Plays like a note-perfect Terrence Malick pastiche thanks to assured direction from writer-director David Lowery, though the languid pacing, lack of plot and ill-defined supporting characters are occasionally frustrating.
Matthew Turner-ViewLondon

There is a completely numbing sense that this really is a lost Terrence Malick - that this was done a long time ago, and that cinema's cupboards are empty and there is no new stuff to make in a new way.
Antonia Quirke-Financial Times

Although set in the 1970s, this dramatic thriller has a distinctly Western vibe to it, digging into the darker emotional corners of characters who are trying to make it through life on their own terms.
Rich Cline-Contactmusic.com

Lowery's film has a solid, grounded storyline, rooted in crime thrillers and film noir tradition.
David Gritten-Daily Telegraph

It's a striking debut...and one which marks the arrival of a major talent.
Tim Evans-Sky Movies

The film has a haunting quality that allows it to linger in the mind, and leaves us with a sense that Lowery has great work in his future.
Philip Concannon-The Skinny

Lowery's understated authority lifts his tragic romance above mere Malick mimicry, while Affleck and Mara bring heart to the scrupulous artistry.
Kevin Harley-Total Film


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